LIVE ART
Land As Anchor is a performance drawing that is inspired by the belief and history of the worshipping of 土地公 (TuDi Gong), a Chinese deity that was often brought along with by Chinese migrants for protection in the new land. The performance draws from this history and belief as a way of thinking about migrants’ diasporic relationship to land - the land they or their parents/grandparents migrated to and the ancestral homeland that was left behind.
A meditative performance with Iris Chan, created collaboratively for Nocturnal Creatures Festival at Whitechapel Gallery in July 2022, curated by Ruth Lie.
Photo by Agnese Graudina
Online durational performance and text-based browser game.
Commissioned by Aspex Gallery as part of the Aspex (life begins) at 40 programme.
An outdoor participatory performance and on-site installation by Bettina Fung and Catherine Harrington, created in London Fields as part of London Festival of Architecture on 26 June 2021.
A piece of live art on Google Docs that recollected and reimagined ‘Towards All & Nothing’ and explored the sense of liveness in cyberspace and digital legacy. The work involved live typing, mark making with audience participation.
Performed as a part of the opening event on 29 October 2020 for ‘Till we meet again IRL. Best wishes, Asia-Art-Activism’, a digital programme by Asia-Art-Activism, supported by the Bagri Foundation and Arts Council England.
Performed as a part of the Artists Home Swap UK/Taiwan residency programme (換屋計畫:高雄系列活動) in October 2019 at The Pier-2 Art Centre, Kaohsiung, Taiwan
Site-specific performance drawing with audio (Duration: 20mins)
Performed at as part of the performance programme in the ‘until you became me’ exhibition in The House Mill (Grade I listed tidal mill on the River Lea, Bromley-by-Bow, London, UK) in July 2019.
Performance drawing (Dur: 50mins)
Performed as part of Being Present: performative response to Speech Acts Exhibition at Manchester Art Gallery on 6 March 2019; also performed at SEA Currents Festival at Raven Row, London UK on 8 March 2019, Young Blood Initiative’s The Infinite Wheel of Time exhibition, London UK on 6 July 2019 and at Eastside Projects, Birmingham UK on 2 August 2019.
Collective live monotyping act/Performance drawing. (Dur: 1 hour 30 mins)
Originally performed at Liminal Mass Performance Night on 1 February 2018 at Bow Arts, London, UK; adapted versions performed at Imprints of Passing Time, Surface Gallery, Nottingham UK in 2018 and Art Central HK in Hong Kong 2019.
Live monotyping/Performance drawing. (Dur: 40mins)
Performed at Young Blood Initiative’s [IN]sane: Altered states of mind exhibition, 23 September 2017, London, UK.
A collaboration with Nico Morcillo. Live performance of guitar and drawing. (Dur: 2hours)
Performed at Un Festival Vrrrr on 5 November 2016, Musée d’Art, Toulon, France.
A site specific drawing performance in two parts. (Dur: 9hours)
Performed on 3 September and 8 October 2016 at 139 Artspace, London, UK
Performance drawing. (Dur: 20mins)
Performed at C O L O U R on 23 September 2016, Studio 102, Plymouth, UK (Part of the Plymouth Art Weekender).
Performance drawing with audience participation. (Dur: 6 hours)
Performed at DRAW TO PERFORM3: International Festival of Drawing Performances on 30 July 2016, Crows Nest Gallery, London UK.
Performance drawing (Dur: 19 hours)
Created at Toys (Are Us) Exhibition on 19-21 November 2015, The Crypt Gallery, London, UK
Performance drawing (Dur: 6 hours)
Performed at DRAW TO PERFORM2: International Symposium for Drawing Performance on 16 May 2015, NUMBER 3, London, UK.
Performance drawing (Dur: 4 hours)
Performed at Modern Panic V Exhibition opening on 7 November 2014, Apiary Studios, London, UK.
Performance drawing. (Dur: 6 hours)
Performed at I am. Interrupted exhibition, as part of the One Billion Rising Arts Festival on 31 January 2013, Testbed 1/The Doodle Bar, London, UK.